This project takes shape in the digital realm, in its powerful and immediate language. It is a collision field between imaginaries: surrealism and its visions — Lautréamont and the "chance encounter of a sewing machine and an umbrella on a dissecting table", Breton and his "convulsive beauty" — visual poetry, 20th-century art, and everything that pop culture has made familiar and consumable: icons, advertising, comics, cinema.

Here friction and seduction coexist. Irony and provocation. Decorative surface and semantic stratification: each element carries multiple levels of meaning, superimposed, hidden or manifest, forcing the gaze and the mind to move between multiple interpretive planes.

SAVE ART. A mantra that returns in every work. Sometimes whispered, sometimes shouted. It is not a slogan: it is a warning.

Because saving art is not a nostalgic gesture. It is necessity. It is resistance. And, perhaps, a way to survive.